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Home of the Paleoethnobotanist: Solo Show

Past exhibition
1 June - 30 August 2022
  • Works
  • Overview
Works
  • Interior Of The Paleoethnobotanist
  • Lottie Cole, Centre Stage, Garden Flowers on Chair, 2022
    Lottie Cole, Centre Stage, Garden Flowers on Chair, 2022
  • Lottie Cole, Eileen Gray IV Experimental S Chair & Black Bird, 2022
    Lottie Cole, Eileen Gray IV Experimental S Chair & Black Bird, 2022
  • Lottie Cole, Eileen Gray III I Wound to Heal, Sweetbriar & Jessica Dismorr, 2022
    Lottie Cole, Eileen Gray III I Wound to Heal, Sweetbriar & Jessica Dismorr, 2022
  • Lottie Cole, Eileen Gray I Non Conformist Summer with Evelyn Wyld Designs, 2022
    Lottie Cole, Eileen Gray I Non Conformist Summer with Evelyn Wyld Designs, 2022
  • Lottie Cole, Eilleen Gray II Winter Turns to Spring , 2022
    Lottie Cole, Eilleen Gray II Winter Turns to Spring , 2022
  • Lottie Cole, Eyre de Lanux & her daughter Anne, 2022
    Lottie Cole, Eyre de Lanux & her daughter Anne, 2022
  • Lottie Cole, Floral Fireworks with Eyre de Lanux & Evelyn Wyld, 2022
    Lottie Cole, Floral Fireworks with Eyre de Lanux & Evelyn Wyld, 2022
  • Lottie Cole, Garden Flowers with Chocolate Cosmos, 2022
    Lottie Cole, Garden Flowers with Chocolate Cosmos, 2022
  • Lottie Cole, Interior with Agnes Martin, Alice B, 2022
    Lottie Cole, Interior with Agnes Martin, Alice B, 2022
  • Lottie Cole, Juno Chair, 2022
    Lottie Cole, Juno Chair, 2022
  • Lottie Cole, Is that Phyllis Barron's Hat, 2022
    Lottie Cole, Is that Phyllis Barron's Hat, 2022
  • Lottie Cole, Mina Loy & Djuna Barnes, Friends in the doorway, 2022
    Lottie Cole, Mina Loy & Djuna Barnes, Friends in the doorway, 2022
Overview
Home of the Paleoethnobotanist, Solo Show

Home of the Paleoethnobotantist, Lottie Cole's work explores story-telling through the creation of atmosphere and mood. Her work has followed themes with each solo show focussing on a new subject from City Streets & Architectural Settings and the Sussex Rural Landscape , to the interiors of the Bloomsbury Group and most recently those of the imagined homes of Art Collectors who have a deep understanding and appreciation of women painters. In painting imagined or real interiors Cole has a clear idea of the owner of the room, their life and interests and she sees the final picture as a modern interpretation of the conversation piece. She is trying to convey ideas of ‘home’ and what people have created for themselves. A life revealed.

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