Works
  • Lottie Cole, A E Housman, 2023
    Lottie Cole, A E Housman, 2023
  • Lottie Cole, A Fine Autumn Day, 2023
    Lottie Cole, A Fine Autumn Day, 2023
  • Lottie Cole, Girl at a window with strawberries, 2024
    Lottie Cole, Girl at a window with strawberries, 2024
  • Lottie Cole, Girl reading 1, 2024
    Lottie Cole, Girl reading 1, 2024
    £ 5,700.00
  • Lottie Cole, Girl reading 2, 2024
    Lottie Cole, Girl reading 2, 2024
    £ 6,500.00
  • Lottie Cole, Moonlight, Paul Verlaine , 2024
    Lottie Cole, Moonlight, Paul Verlaine , 2024
  • Lottie Cole, Mother's Making Men, 2023
    Lottie Cole, Mother's Making Men, 2023
  • Lottie Cole, Seamus Heaney - Anything Can Happen, 2023
    Lottie Cole, Seamus Heaney - Anything Can Happen, 2023
  • Lottie Cole, Siblings 1, 2024
    Lottie Cole, Siblings 1, 2024
    £ 6,700.00
  • Lottie Cole, Sisters, 2024
    Lottie Cole, Sisters, 2024
  • Lottie Cole, T S Eliot - Four Quartets, 2023
    Lottie Cole, T S Eliot - Four Quartets, 2023
  • Lottie Cole, T.S. Eliot - Burnt Norton, 2024
    Lottie Cole, T.S. Eliot - Burnt Norton, 2024
  • Lottie Cole, The Older Sister, 2024
    Lottie Cole, The Older Sister, 2024
  • Lottie Cole, William Carlos Williams - This is just to say, 2023
    Lottie Cole, William Carlos Williams - This is just to say, 2023
  • Lottie Cole, Yeats - Long-legged fly, 2024
    Lottie Cole, Yeats - Long-legged fly, 2024
Overview

A Commonplace Collection of Paintings Cole utilises the genre of interiors and objects with meaning to explore the passing of time, personal experience and her responses to everyday life. For her second exhibition at Long & Ryle, Cole also begins to realise subjects beyond interiors, widening the visual language of her painted world, with some works responding to poetry and the act of reading itself. On show will be about 30 works in watercolour and oil.

 

The exhibition also builds from earlier work which sought to highlight under-recognised women artists within her interiors. Additionally, she explores figures drawn from inspiration from her own life, from motherhood and sisterhood. The figures are related to the interiors in that they could also be their owners. Cole captures a moment of potential, or before-ness. The stiff figures will move soon, and the rooms are shown in a very particular condition that will change soon too. Cole references A.E. Housman’s poem Loveliest of Trees which speaks of the relentless passing of time, and the importance of capturing and treasuring small moments, just as they evaporate and are gone a second later.